Visual Science of Art Conference
  • VSAC
  • History of VSAC

Visual Science of Art Conference

The Visual Science of Art Conference (VSAC) was established in 2012 by Professor Baingio Pinna in Alghero, Italy. Its main focus is to better connect the communities of visual scientists and artists in order to deepen our understanding of aesthetic phenomena. The VSAC is an ideal venue to debate and collaborate on all topics associated with the perception and evaluation of artworks.

Typically, VSAC is organized as a satellite conference to the European Conference on Visual Perception and is taking place on an annual basis.
This year ECVP takes place in Bournemouth, UK from 23rd-27th of August, see ECVP 2026 website for details.

VSAC 2026 will take place in London, UK 20th-22nd August 2026. See VSAC 2026 website for details.

History of VSAC

From its beginnings the VSAC has been organized as a satellite conference of the European Conference on Visual Perception (ECVP), the leading European conference on visual science.

VSAC and its sister conference ECVP have been hosted each year in different, vibrant cities all over Europe. Starting in 2012 in Alghero (Italy), subsequent meetings were organized in Belgrade (Serbia), Liverpool (UK), Barcelona (Spain), Berlin (Germany), Trieste (Italy), Leuven (Belgium), Amsterdam (Netherlands), Nicosia (Cyprus), Aberdeen (Scotland), and Wiesbaden (Germany).

Wiesbaden, Germany

Aug 21-23, 2025

2025.vsac.eu

Organized by

Itay Goetz, Aenne Brielmann, Marella Campagna, Claus-Christian Carbon, Uwe Fischer, Katya Granova, Vera Hesslinger, Pik Ki Ho, Young-Jin Hur, Anya Hurlbert, Angela Kohlrusch, Bodo Korsig, Lisa Koßmann, Ute Leonards, Hong Nguyen, Alexander (Sasha) Pastukhov, Zsofia Pilz, Jurate Rimiskyte, Jakob Roetner, Bilge Sayim, Lotta Straube, Chia-Huei Tseng, Ben van Buren, Lena Kristina Vogl, Maarten Wijntjes, and Qasim Zaidi

Keynotes

  • Toward a Theory of Perspective Perception in Pictures by Aaron Hertzmann (Adobe Research)
  • When Objects Become Art: The Power of Context by Marina Iosifian (University of St Andrews, UK)

Aberdeen, Scotland

Aug 22-24, 2024

www.2024.vsac.eu
Read the abstracts

Organized by

Aenne Brielmann, Claus-Christian Carbon, Rachel Elliott, Uwe Fischer, Joanna Ganczarek, Martin Giesel, Itay Goetz, Gregor Hayn-Leichsenring, Constanze Hesse, Young-Jin Hur, Anya Hurlbert, Tammy-Ann Husselman, Mauro Manassi, Jasna Martinovic, Jennifer Mc Namara, Jade McGowan, Hong Nguyen, Alexander (Sasha) Pastukhov, Marius Raab, Jurate Rimiskyte, J Brendan Ritchie, Joana Seabra, Eline Van Geert, Dhanraj Vishwanath, Maarten Wijntjes, Qasim Zaidi, Astrid Zeman, and Ben van Buren

Keynotes

  • BinoculART: Pictures for two eyes by Nicholas Wade (University of Dundee, Scotland, UK)
  • Wonder, Science and Magic by Irene Brown (Newcastle University, Newcastle upon Tyne, England, UK)
  • The artist’s trace / tracing the artist by Dr Rebecca Chamberlain (Goldsmiths, University Of London, England, UK)

Nicosia, Cyprus

Aug 24-26, 2023

www.vsac2023.eu
Read the abstracts

Organized by

Aenne Brielmann, Alessandro Soranzo, Anna Miscenà, Anne Kleindienst, Ben van Buren, Claus-Christian Carbon, Heike Kiesewetter, Ian Verstegen, Itay Goetz, Kyriaki Mikellidou, Lena Kristina Pieper, Maarten Wijntjes, Marius Raab, Qasim Zaidi, Rebecca Chamberlain, Alexander (Sasha) Pastukhov, Uwe Fischer (U Bamberg), and Vera Hesslinger (U Bamberg)

Keynotes

  • Experiencing art by Claus-Christian Carbon (University Bamberg, Germany)
  • Here’s the thing: On perceiving objects, grounds and backgrounds in the history of art by Jeroen Stumpel (Utrecht University, The Netherlands)

Amsterdam, Netherlands

Aug 24-27, 2022

vsac2022.tudelft.nl
Read the abstracts

Organized by

Maarten Wijntjes, Arjan de Koomen, Nim Goede, Catelijne van Middelkoop, Yuguang Zhao, Jeroen Stumpel, Cehao Yu, Margit Lukacs, Mitchell van Zuijlen, David Tiemstra, and Rob van Lier

Keynotes

  • The Emancipatory Potential of Neuroart by Nim Goede
  • Shifting Realities by Tine Melzer
  • PUK* - A Neurodiverse History of Artificial Intelligence by Floris Schönfeld
  • At Night I See the Future by Edwin Zwakman
  • Noise versus Signal by Coralie Vogelaar

Leuven, Belgium

Aug 21-24, 2019

Read the abstracts

Organized by

Johan Wagemans

Keynotes

  • Opposites attract: The marriage of art and science by Robert Pepperell (Cardiff Metropolitan University, U.K.)
  • Colour, Light and Time in Paintings by Anya Hurlbert (Newcastle University, U.K.)

Trieste, Italy

Aug 24-26, 2018

Read the abstracts

Organized by

Rossana Actis-Grosso and Daniele Zavagno

Keynotes

  • The place of contemplation in a world of arts by Michael Kubovy (University of Virginia)
  • Macchie, passages and edges lost and found by Jan Koenderink (KU Leuven, Belgium)

Berlin, Germany

Aug 25–27, 2017

vsac2017.org
Read the abstracts

Organized by

Claus-Christian Carbon and Joerg Fingerhut

Keynotes

  • Art and Wonder by Jesse Prinz (Humboldt-Universität zu Berlin, City University of New York, Graduate Center, New York)
  • Aesthetics and the Brains by Irving Biederman (University of Southern California)

Barcelona, Spain

Aug 26-28, 2016

Read the abstracts

Organized by

C. Alejandro Parraga

Keynotes

  • Realizing Fechner’s Fantasy by Anjan Chatterjee (Pennsylvania Hospital and University of Pennsylvania, USA)

Liverpool, UK

Aug 22-23, 2015

Read the abstracts

Organized by

Marco Bertamini

Keynotes

  • Aesthetic Science: An Ecological Approach. by Steve Palmer (UC Berkeley)

Belgrade, Serbia

Aug 23-24, 2014

Read the abstracts

Organized by

Slobodan Marković, Oliver Tošković, Ian Thornton, Dejan Todorović, and Sunčica Zdravković

Keynotes

  • What is missing for a proper visual science of art? by Johan Wagemans (KU Leuven, Belgium)

Alghero, Italy

Sep 1-2, 2012

Read the abstracts

Organized by

Baingio Pinna

Keynotes

  • Experimental Phenomenology: Art & Science by Jan Koenderink (KU Leuven, Belgium)

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